Cast by the lost-wax process, the figure has a compact construction in which horse and rider form an almost inseparable sculptural unit. The tapered legs of the mount, strongly curved volumes and spiral or striated motifs give the piece a particularly striking graphic presence.

The term Putchu Guinadji probably derives from the Fulfulde expression puccu ginnaaji, meaning “horse of the spirits/genies”. These riders were used as protective and therapeutic amulets, particularly in the treatment of disorders understood locally in relation to spirit possession.

Their exact symbolism nevertheless remains debated: the rider may represent a spirit, a protective warrior, or an agent intended to control it.