Anthropozoomorphic mask composed of a human face surmounted by horns. Intended to impose peace during internal conflicts or to "mingle with the combatants during the battle, throwing arrows or assegai intended less for the real adversaries than for the spirits that came to support them. The teé gla mask imposed its terrifying figure, materialising the hostile forces of the forest.

Among the Wé, the interpretation of the human face tends toward exaggerated and expressive forms, contrasting with the more idealized representations of the neighboring Dan masks.

These African masks, carved from wood and adorned with various materials, play a central role in ritual and social ceremonies: they embody spirits, regulate conflicts, celebrate community events, and ensure social cohesion.

The vividness of their features—prominent nose, open mouth, and eyes emerging in relief—aims to captivate and impress spectators, both human and ancestral.

Masks such as the one I am presenting here were worn during dynamic performances accompanied by music and song. Its patina of use testifies to a long ritual life.

The Guéré (or Wé), a people of southwestern Ivory Coast, are renowned for their powerful and expressive masks with a raw and awe-inspiring aesthetic. These anthropomorphic-zoomorphic masks, often combining elements of horn, teeth, and fabric, embody the spirits of the forest and are used in initiation rites, funerals, and conflict resolution.

Worn with costumes made of raffia and other fibers, they dance to the sound of drums to restore social order and communicate with the unseen world.

In Ivory Coast, the use of masks is also widespread among the Dan, Baoulé, and Senufo peoples. Each ethnic group has its own style: Guéré masks are distinguished by their fantastical faces, bulging eyes, and powerful emotions, symbols of spiritual strength and ancestral protection.