Héritage Galerie - Art Africain Traditionnel

Lega Sakimatwemtwe figure - €185.00

This remarkable Lega wooden figure is built around an unusually vertical composition in which two human heads are positioned one above the other on a long, simplified body. Both faces share the characteristic visual vocabulary of Lega sculpture: elongated eyelids, a long straight nose and a restrained mouth. A pale surface material, reminiscent of the kaolin preparations frequently encountered in Lega art, covers much of the figurative section and contrasts with the brown wood of the lower body.

Its multi-headed construction relates the sculpture to iginga figures associated with Bwami, the graded initiation association that played a fundamental moral, social and political role among Lega communities in eastern Democratic Republic of the Congo. Anthropomorphic figures, masks and other objects served as teaching devices whose meanings were developed through proverbs, performances and interpretation.

More specifically, the multiplication of heads recalls the concept of Sakimatwemtwe, or “many heads.” A celebrated example in the Brooklyn Museum connects this imagery with the ability to consider different perspectives, while the British Museum associates plurifrontal iginga figures with the enhanced understanding expected of highly initiated Bwami members.

Here, that concept is expressed with striking economy. Rather than spreading outward, the two heads rise along the same vertical axis, giving the sculpture an almost architectural quality. The pale faces, angular modelling and largely undecorated brown lower section create a particularly strong and restrained visual rhythm.

As museum scholarship emphasizes, individual Bwami figures could carry several meanings according to their context and level of initiation; a single fixed interpretation should therefore be approached with caution.

Fang Byeri reliquary head - €1,000.00

Art and worship of ancestors in Fang country

This remarkable Fang reliquary head, known as Añgokh-Nlô-Byeri or Nlô Byeri, belongs to one of the most emblematic sculptural traditions of African art from Gabon: works associated with the ancestral Byeri cult.

Among the Fang, the Byeri was closely connected to ancestral memory and the continuity of the lineage. Family relics were preserved in bark containers surmounted by a carved head or figure serving as a reliquary guardian. The Metropolitan Museum of Art preserves several comparable examples of Nlô Byeri, described as ancestral representations associated with such reliquary ensembles.

This Fang wood sculpture is distinguished by a particularly expressive construction: a high, rounded forehead, strongly defined brows, a short geometric nose, projecting lips, and an architectural coiffure rising into a pronounced volume at the top of the head.

The deeply recessed eyes, accentuated with a dark material, intensify the presence of the face. The dark brown surface displays areas of sheen that contrast with the lighter lower section of the neck. This elongated extension was intended to secure the head into the reliquary structure, in keeping with the function of Nlo Byeri sculptures.

Through the strength of its modelling, its frontal presence and the balance of its volumes, this Fang head from Gabon offers a powerful sculptural expression and stands as a striking example of the aesthetic language associated with Byeri reliquary guardians.

This presumably late Fang head shows certain similarities in patina and wear to a copy in the Musée du quai Branly, Paris, ref. 71.1954.67.13.

Fang Angokh-Nlo Byeri head - SOLD OUT - €0.00

The Fang practiced until the first half of the 20th century a cult to family ancestors known as Byeri. Its plastic expressions are symbolic representations of the deceased in the form of eyema byeri statuettes meaning "the image of byeri", but also of single heads.

The piece shown here is one of those long-necked heads that were called angokh-nlô-byeri, literally meaning "the whole head of the ancestor."
In museums and private Western collections, heads alone are much rarer than full-length statues and often of a remarkable quality of finish; some, including this one, are unmistakably masterpieces.
If the statues ostentatiously represent a sexed ancestor (man or woman), the heads alone, on the other hand, are obviously less identifiable in this respect - hairstyles with braids or with cups (nlô-ô-ngo) can be worn indifferently by men. or women.

Unlike the statues representing an entire body which were revealed during initiation rites, the angokh-nlô-byeri heads remained carefully hidden in the lineage chief's room, at the back of his hut. They were regularly coated with palm oil and ba powder (a mixture of oil and pulverized padauk wood, this red coating being, like the parrot feathers of the same color which adorned them, the sign of the sacred).

This Fang head has a lustrous and oily patina that is entirely consistent with the aforementioned custom of coating it with palm oil.