Baule figure
€190.00
A finely carved Baule statue of a woman with a prominent abdomen.
The Baoulé are a major ethnic group within the Akan family, residing primarily in the central region of Côte d'Ivoire. Their art, and more specifically their sculpture, is among the most refined in West Africa.
This artistic production plays a central role in the spiritual practices and social rituals of the Baoulé, serving to establish a connection with the spiritual world and to express profound cultural values. Baoulé sculptures are not only works of art, but also repositories of collective memory and instruments of spiritual and social transmission.
Unlike other, more stylized sculptural traditions in African art, Baoulé sculptures feature a detailed representation of human features—particularly eyes, noses, and mouths—which lends an intensity to the expression of the statues.
Baoulé statuary is not simply an aesthetic expression: it is first and foremost a spiritual tool used in rites of passage, funeral ceremonies, and religious practices. These sculptures are representations of ancestors or protective spirits, serving to connect the living to supernatural forces.
Initiation and spiritual rites: During initiation rites, Baoulé statues play an essential role, symbolizing the spiritual transformation of young men and women, marking their passage from childhood to adulthood. The sculptures also represent tutelary deities or ancestors to whom initiates must pay homage.
Funerals and ancestor worship: The sculptures, often placed near tombs, serve to honor the deceased and maintain a connection with the ancestors, facilitating their passage to the afterlife and ensuring the protection of the living. These statues are considered intermediaries between the two worlds.
Representation of royalty: Sculpted heads or statues of dignitaries emphasize the spiritual and political power of those who represent them. In this context, sculpture becomes a symbol of legitimacy and divine sovereignty, which is particularly significant in Baoulé culture where the chief embodies an intermediary figure between humans and deities.
02618
Data sheet
- Presumed dating
- Mid XXth century
- Size
- 36 cm
- Ethnic group
- Material(s)
- Wood
- Country
- Origin
- Tribal art collection France
- Stand
- Included
- Condition
- Excellent
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A finely carved Baule statue of a woman with a prominent abdomen.
The Baoulé are a major ethnic group within the Akan family, residing primarily in the central region of Côte d'Ivoire. Their art, and more specifically their sculpture, is among the most refined in West Africa.
This artistic production plays a central role in the spiritual practices and social rituals of the Baoulé, serving to establish a connection with the spiritual world and to express profound cultural values. Baoulé sculptures are not only works of art, but also repositories of collective memory and instruments of spiritual and social transmission.
Unlike other, more stylized sculptural traditions in African art, Baoulé sculptures feature a detailed representation of human features—particularly eyes, noses, and mouths—which lends an intensity to the expression of the statues.
Baoulé statuary is not simply an aesthetic expression: it is first and foremost a spiritual tool used in rites of passage, funeral ceremonies, and religious practices. These sculptures are representations of ancestors or protective spirits, serving to connect the living to supernatural forces.
Initiation and spiritual rites: During initiation rites, Baoulé statues play an essential role, symbolizing the spiritual transformation of young men and women, marking their passage from childhood to adulthood. The sculptures also represent tutelary deities or ancestors to whom initiates must pay homage.
Funerals and ancestor worship: The sculptures, often placed near tombs, serve to honor the deceased and maintain a connection with the ancestors, facilitating their passage to the afterlife and ensuring the protection of the living. These statues are considered intermediaries between the two worlds.
Representation of royalty: Sculpted heads or statues of dignitaries emphasize the spiritual and political power of those who represent them. In this context, sculpture becomes a symbol of legitimacy and divine sovereignty, which is particularly significant in Baoulé culture where the chief embodies an intermediary figure between humans and deities.