Bwende Niombo reliquary figure
€330.00
Bwende Niombo-type reliquary doll, made primarily from textile and vegetal fibres. The anthropomorphic figure has a particularly expressive construction, with a body assembled from different fabrics, a face completely covered in cloth and an open mouth fitted with inserted teeth. Dark painted or printed motifs decorate the torso, while a red textile ring encircles the waist.
Among the Bwende, such small figures are generally regarded as reduced versions of the monumental niombo, large anthropomorphic funerary mannequins associated with funerary ceremonies and ancestor veneration. Comparable miniature examples made from fibre and textile are documented in museum collections and on the historic art market. They helped preserve the memory of the deceased and symbolically maintained the relationship between the living and the ancestral realm.
This example has a particularly striking presence, enhanced by the variety of textiles, the expressive open mouth and the numerous signs of age and use that give the figure a strong individual character.
Shipping fees
02749
Data sheet
- Presumed dating
- Mid XXth century
- Size
- 46 cm
- Ethnic group
- Material(s)
- Fabric
- Country
- Condition
- Very good
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Bwende Niombo-type reliquary doll, made primarily from textile and vegetal fibres. The anthropomorphic figure has a particularly expressive construction, with a body assembled from different fabrics, a face completely covered in cloth and an open mouth fitted with inserted teeth. Dark painted or printed motifs decorate the torso, while a red textile ring encircles the waist.
Among the Bwende, such small figures are generally regarded as reduced versions of the monumental niombo, large anthropomorphic funerary mannequins associated with funerary ceremonies and ancestor veneration. Comparable miniature examples made from fibre and textile are documented in museum collections and on the historic art market. They helped preserve the memory of the deceased and symbolically maintained the relationship between the living and the ancestral realm.
This example has a particularly striking presence, enhanced by the variety of textiles, the expressive open mouth and the numerous signs of age and use that give the figure a strong individual character.