We Guere mask
€490.00
Known in African art, the traditional masks of the Wé or Guéré people of Ivory Coast, often associated with the Dan-Wé cultural complex, possess a powerful aesthetic characterized by prominent tubular eyes, a beard made of fibers or wood, and polychrome pigments that accentuate their dramatic expressiveness.
Among the Wé, the interpretation of the human face tends toward exaggerated and expressive forms, contrasting with the more idealized representations of the neighboring Dan masks.
These African masks, carved from wood and adorned with various materials, play a central role in ritual and social ceremonies: they embody spirits, regulate conflicts, celebrate community events, and ensure social cohesion.
The vividness of their features—prominent nose, open mouth, and eyes emerging in relief—aims to captivate and impress spectators, both human and ancestral.
Masks such as the one I am presenting here were worn during dynamic performances accompanied by music and song. Its patina of use testifies to a long ritual life.
Shipping fees
02603
Data sheet
- Presumed dating
- Mid XXth century
- Size
- 48 cm (55 cm with support)
- Ethnic group
- Material(s)
- Wood, accessories
- Country
- Origin
- C. Leclercq Collection, Belgium
- Stand
- Included
- Condition
- Excellent
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Known in African art, the traditional masks of the Wé or Guéré people of Ivory Coast, often associated with the Dan-Wé cultural complex, possess a powerful aesthetic characterized by prominent tubular eyes, a beard made of fibers or wood, and polychrome pigments that accentuate their dramatic expressiveness.
Among the Wé, the interpretation of the human face tends toward exaggerated and expressive forms, contrasting with the more idealized representations of the neighboring Dan masks.
These African masks, carved from wood and adorned with various materials, play a central role in ritual and social ceremonies: they embody spirits, regulate conflicts, celebrate community events, and ensure social cohesion.
The vividness of their features—prominent nose, open mouth, and eyes emerging in relief—aims to captivate and impress spectators, both human and ancestral.
Masks such as the one I am presenting here were worn during dynamic performances accompanied by music and song. Its patina of use testifies to a long ritual life.